This could be something simple like arpeggiation or velocity adjustments through to more detail-oriented tweaks such as how the notes flow into each other or creating a humanized “strum” effect on chords. The transform tool is ideal for when you have a progression you already like but want to create some variations on it. Here is where Live 12’s new “scale aware” feature really shines, as when activated, this will ensure any generated MIDI matches the key and scale of what you are working on. ![]() Every time you change a parameter - length, pitch and so on - Live will create a new pattern and you can keep cycling through variations until you find one you like. The created MIDI can be almost any length, but shorter clips tend to have more success. On the generative side of things, there are options for more rhythmic patterns, melodic arrangements or even chords. Alternatively, if you already have a clip with a MIDI sequence that you like, the “transform” tab in the Clip view will create endless variations on it depending on your requirements. Specifically, Live 12 will generate random MIDI clips for you according to certain parameters (length, note density and so on). When it comes to songwriting, Live 12 offers some exciting tools to get you started or to help push you through a creative block. Meld offers the power of both of those tools and adds complex signal bending tools for good measure. Live’s primary distortion tools, Saturator and Overdrive, often worked best together. ![]() It’s perhaps not quite as comprehensive as Arturia’s ColdFire, but it’s close. Right from dialing in the perfect amount of distortion through the filter to the modulation options, again, controlled by a matrix setup. The power with Roar lies in the amount of controls you have throughout the chain. The range of tone shapes available range from light, pedal-style crunchiness through to aggressive hard digital clipping and everything in between. Live already has a decent selection of distortion effects, but Roar is possibly the most comprehensive yet. From some quick experimentation, Meld looks perfect for sound design and creating big, gritty leads as well as abstract pads and real-word sounding textures. Both oscillators have a modulation matrix that makes it super easy to bend and shape the sound to your liking. If you’re a fan of moog-style big pulsing sounds, the “swarm” waveforms are for you. Everything from classic sine/saw/square shapes through to more noise type formations like “rain” and “bubble” mean Meld can really create some unique textures. But this “macro oscillator” synth has a lot of interesting waveforms to play with. At first glance, the two oscillator setup seems pretty straightforward. The newest instrument to join the Ableton Live family is going to be a lot of fun. There’s a lot more, which we’ll go through below but those are the headline features. Most of the above is also MPE ready where applicable. On the other hand, if you want to create music in non-western tones and scales, there’s full support for a wide range of musical tunings now baked right into Live. There’s also an option to track the scale and key of what you’re working on so that any effects or edits will automatically be in that key (if you wish). ![]() Other updates include a feature where Live 12 will create MIDI arrangements or transform existing ones via new tools in Live’s Clip view. ![]() Live 12 Suite comes with “Meld” which the company describes as a macro oscillator synth, and there’s also a new distortion effect called Roar. Usually, the first thing people want to know is if there are any new instruments, and the answer is yes. The less fun news is that you won’t actually be able to get your hands on Live 12 until early next year, but there’s plenty to get excited about in the meantime. In terms of release cycles, this is the shortest time between versions in recent memory, and it brings with it some exciting new features. Today, the company is unveiling Live 12, the next version of its popular digital audio workstation (DAW). It was almost exactly three years ago that we were celebrating the relatively quick arrival of Ableton Live 11.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |